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Directing Screen Performances
The core goal of Directing Screen Performances is to teach aspiring directors how to prepare and work with actors.Through a practical exploration of the major approaches to contemporary screen acting, you will learn how to formulate your own effective modes of communication to craft compelling performances. Directing performances for the screen starts well before the actor is cast and finishes well after the last slate is shot.In this book you will learn how to analyze a script, brief the casting director, rehearse the actors, decide on the visual treatment that enriches their performances, direct effectively on set and finesse the character in the edit.The director's process is clearly defined and augmented with illustrations, photographs and graphics, and each chapter concludes with practical exercises to consolidate the new knowledge.
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Imaginary Performances in Shakespeare
In Imaginary Performances in Shakespeare, visionary modernist theatre director Aureliu Manea analyses the theatrical possibilities of Shakespeare.Through nineteen Shakespeare plays, Manea sketches the intellectual parameters, the visual languages, and the emotional worlds of imagined stage interpretations of each; these nineteen short essays are appended by his essay ‘Confessions,’ an autobiographical meditation on the nature of theatre and the role of the director.This captivating book which will be attractive to anyone interested in Shakespeare and modern theatre.
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The First Definitive Performances
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Iron Maiden The Reading Performances
Iron Maiden first appeared at the Reading Rock Festival in 1980 when Paul Di'Anno was fronting the band and Dennis Stratton was on guitar.They appeared second on the bill to UFO on the second night.Undoubtedly for Maiden's Steve Harris there was nothing but respect for the headliners with UFO's Pete Way being one of Harris's biggest bass guitar influences. Also on the bill that day were two future Iron Maiden members - Bruce Dickinson, then the lead singer with Samson, and guitarist Janick Gers of White Spirit, who were brought in as a replacement band. By 1982 when Maiden returned to Reading it was naturally as the headlining act on the Saturday evening.The band had gone through significant changes to the line-up, most notably with Bruce Dickinson now fronting them, which coincided with their rise in popularity. Incredibly it would be another twenty-three years before Maiden returned to Reading, by which time they were in their third decade and had become the undisputed giants of metal.Their longevity also stood out as most of the other major acts that performed over the three days had only appeared on the scene over the previous few years and none could boast a back catalogue quite like Maiden's. With a large collection of photos by Alan Perry and memorabilia from the gigs plus narrative from Iron Maiden biographer Neil Daniels, this book is a wonderful celebration of Maiden's unforgettable appearances at this British institution.
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Postdigital Performances of Care : Technology & Pandemic
Covid-19 has been described as a ‘digital pandemic’.But who might the characterisation of the pandemic as ‘digital’ leave behind?This timely book reconsiders the pandemic as ‘postdigital’, examining tensions between a growing postdigital attitude of disenchantment with digital technologies and the increasing reliance on adapted modes of online practice mid-lockdown in both performance-making and healthcare. What emerged amidst the pandemic restrictions was a theatre that was unable to show its face, instead adapting into a variety of ‘covid-safe’ remote forms of engagement, from ‘Zoom plays’ to self-generating experiences sent by post.This book explores the ways that both performances and healthcare practices found proxies for direct touch and face-to-face encounters, deconstructing the way that care and resilience were spectacularized by political actors online. Liam Jarvis and Karen Savage explore aspects of care in relation to technology, spectacle and facilitation, and how new modes of delivery and the repurposing of theatre spaces that were displaced amidst the mass migration online have been enabling as well as controversial.The variety of case studies assessed includes internet memes, online films, performances of everyday resilience through social media and participatory theatre productions, including Thaddeus Phillips’ Zoom Motel, Coney’s Telephone and Nightcap’s Handle with Care.
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William Kapell: Live Performances
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Rare Recordings & Live Performances
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Great Performances from Library Of...
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