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Afropolitan Literature as World Literature
African literature has never been more visible than it is today.Whereas Chinua Achebe, Wole Soyinka, and Ngugi wa Thiong’o defined a golden generation of African writers in the 20th century, a new generation of “Afropolitan” writers including Chimamanda Adichie, Teju Cole, Taiye Selasi, and NoViolet Bulawayo have taken the world by storm by snatching up prestigious awards and selling millions of copies of their works.But what is the new, increasingly fashionable and marketable, Afropolitan vision of Africa’s place in the world that they offer?How does it differ from that of previous generations?Why do some dissent? Afropolitanism refuses to reinforce images of Africa in world media as merely poor, war-torn, diseased, and constantly falling into chaos.By complicating the image of Africa as a hapless victim, Afropolitanism focuses on the wide-ranging influence Africa has on the world.However, some have characterized this kind of writing as light, populist fare that panders to Western audiences. Afropolitan Literature as World Literature examines the controversy surrounding Afropolitan literature in light of the unprecedented circulation of culture made possible by globalization, and ultimately argues for expanding its geographic and temporal boundaries.
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Mexican Literature as World Literature
Honorable Mention from the 2022 International Latino Book Awards for Best Nonfiction - Multi-AuthorChapter 15 by Carolyn Fornoff is Winner of the 2022 Best Article in the Humanities Award, Latin American Studies Association, MexicoMexican Literature as World Literature is a landmark collection that, for the first time, studies the major interventions of Mexican literature of all genres in world literary circuits from the 16th century forward.This collection features a range of essays in dialogue with major theorists and critics of the concept of world literature.Authors show how the arrival of Spanish conquerors and priests, the work of enlightenment naturalists, the rise of Mexican academies, the culture of the Mexican Revolution, and Mexican neoliberalism have played major roles in the formation of world literary structures.The book features major scholars in Mexican literary studies engaging in the ways in which modernism, counterculture, and extinction have been essential to Mexico’s world literary pursuit, as well as studies of the work of some of Mexico’s most important authors: Sor Juana, Carlos Fuentes, Octavio Paz, and Juan Rulfo, among others.These essays expand and enrich the understanding of Mexican literature as world literature, showing the many significant ways in which Mexico has been a center for world literary circuits.
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Bulgarian Literature as World Literature
Bulgarian Literature as World Literature examines key aspects and manifestations of 20th- and 21st-century Bulgarian literature by way of the global literary landscape.The first volume to bring together in English the perspectives of prominent writers, translators, and scholars of Bulgarian literature and culture, this long-overdue collection identifies correlations between national and world aesthetic ideologies and literary traditions. It situates Bulgarian literature within an array of contexts and foregrounds a complex interplay of changing internal and external forces.These forces shaped not only the first collaborative efforts at the turn of the 20th century to insert Bulgarian literature into the world’s literary repository but also the work of contemporary Bulgarian diaspora authors.Mapping histories, geographies, economies, and genetics, the contributors assess the magnitudes and directions of such forces in order to articulate how a distinctly national, "minor" literature--produced for internal use and nearly invisible globally until the last decade--transforms into world literature today.
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Turkish Literature as World Literature
Essays covering a broad range of genres and ranging from the late Ottoman era to contemporary literature open the debate on the place of Turkish literature in the globalized literary world.Explorations of the multilingual cosmopolitanism of the Ottoman literary scene are complemented by examples of cross-generational intertextual encounters.The renowned poet Nâzim Hikmet is studied from a variety of angles, while contemporary and popular writers such as Orhan Pamuk and Elif Safak are contextualized.Turkish Literature as World Literature not only fills a significant lacuna in world literary studies but also draws a composite historical, political, and cultural portrait of Turkey in its relations with the broader world.
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Is Russian literature better than German literature?
As an AI language model, I don't have personal opinions. The quality of literature is subjective and depends on individual preferences. Both Russian and German literature have produced influential and impactful works that have made significant contributions to world literature. Russian literature is known for its depth of psychological insight and emotional intensity, while German literature is celebrated for its philosophical and intellectual depth. Ultimately, the value of literature is in the eye of the beholder.
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What literature is available on the topic of fishing licenses?
There is a significant amount of literature available on the topic of fishing licenses, including academic research articles, government reports, and industry publications. These sources cover a wide range of topics related to fishing licenses, such as the economic impact of fishing regulations, the effectiveness of different licensing systems, and the social and environmental implications of fishing license policies. Additionally, there are also legal and policy analyses of fishing license regulations and their enforcement. Overall, the literature on fishing licenses provides a comprehensive understanding of the various issues and considerations related to this topic.
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Is rubble literature the same as post-war literature?
Rubble literature and post-war literature are closely related but not exactly the same. Rubble literature specifically refers to the literary works produced in the immediate aftermath of World War II, often focusing on the physical and emotional devastation caused by the war. Post-war literature, on the other hand, encompasses a broader range of literary works that address the effects of war on society, culture, and individuals in the years following the conflict. While rubble literature is a subset of post-war literature, the latter includes a wider scope of themes and time periods beyond the immediate aftermath of war.
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Is 20th-century literature the same as modern literature?
While 20th-century literature is a part of modern literature, they are not exactly the same. Modern literature encompasses literary works from the late 19th century to the present day, including 20th-century literature. However, 20th-century literature specifically refers to literary works produced between 1900 and 1999. Both periods share some common themes and styles, but they also have distinct characteristics that set them apart.
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On Literature
Remarkably accessible and unfailingly stimulating, this collection of essays exhibits the diversity of interests and the depth of knowledge that made Umberto Eco one of the world's leading writers.From musings on Ptolemy and reflections on the experimental writing of Borges and Joyce, to revelations of his own authorial ambitions and fears, Eco's luminous intelligence is on display throughout.This volume will appeal to anyone interested in how new light is shed on old masters by a great contemporary mind.
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Electronic Literature
Electronic Literature considers new forms and genres of writing that exploit the capabilities of computers and networks – literature that would not be possible without the contemporary digital context. In this book, Rettberg places the most significant genres of electronic literature in historical, technological, and cultural contexts.These include combinatory poetics, hypertext fiction, interactive fiction (and other game-based digital literary work), kinetic and interactive poetry, and networked writing based on our collective experience of the Internet.He argues that electronic literature demands to be read both through the lens of experimental literary practices dating back to the early twentieth century and through the specificities of the technology and software used to produce the work. Considering electronic literature as a subject in totality, this book provides a vital introduction to a dynamic field that both reacts to avant-garde literary and art traditions and generates new forms of narrative and poetic work particular to the twenty-first century.It is essential reading for students and researchers in disciplines including literary studies, media and communications, art, and creative writing.
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Childish Literature
How do we write about the singular experience of parenthood?Written in a ‘state of attachment’, or ‘under the influence’ of fatherhood, Childish Literature is an eclectic guide for novice parents, showing how the birth and growth of a child changes not only the present and the future, but also reshapes our perceptions of the past.Shifting from moving dispatches from his son’s first year of existence, to a treatise on ‘football sadness’, to a psychedelic narrative where a man tries, mid-magic mushroom trip, to re-learn the subtle art of crawling, this latest work from Alejandro Zambra shows how children shield adults from despondency, self-absorption and the tyrannies of chronological time.At once a chronicle of fatherhood, a letter to a child and a work of fiction, Childish Literature is the latest, virtuosic addition to the oeuvre of one of the most exciting Latin American writers in recent decades.
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Understanding Literature
In this book, originally published in 1965, Mr Mayhead provided a companion to Professor Ludowyk's Understanding Shakespeare.It is an introduction to the reading and study of English literature: not an historical summary, but an attempt to say why literature is important, how it works, and how it can be approached, in the hope that this would lead to understanding and enjoyment as well as examination success.The first chapter treats literature as the source and guardian of the vitality of the language, and as an important means of extending our own experience.The second chapter faces the great bugbear of 'background knowledge' - so daunting to the non-English reader, and even to the English.Then Mr Mayhead approaches the various literary minds, always working through detailed analyses.There are chapters on novels, how they work, what they do, and how to grasp the novelist's central purpose, and also two chapters on poetry.
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Literature or music?
It ultimately depends on personal preference and what one finds more fulfilling. Literature can transport readers to different worlds, evoke emotions, and provoke thought through words and storytelling. On the other hand, music has the power to evoke emotions, create connections, and express feelings through melody and lyrics. Both forms of art have the ability to inspire, entertain, and provide a means of self-expression.
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What is literature?
Literature is a form of written or spoken art that expresses ideas, emotions, and experiences through language. It encompasses a wide range of genres, including poetry, fiction, drama, and non-fiction. Literature allows us to explore different perspectives, cultures, and time periods, and it often reflects the human condition and universal themes. Through literature, we can gain insight into the complexities of the world and the human experience.
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'World Literature Novels'
World literature novels are literary works that have been translated from their original language into multiple languages and have gained recognition and popularity across different cultures and countries. These novels often explore universal themes and human experiences that resonate with readers from diverse backgrounds. They provide a window into different cultures, societies, and historical periods, offering readers the opportunity to gain a deeper understanding of the world. World literature novels also contribute to the enrichment and diversity of literary traditions by showcasing the unique voices and perspectives of authors from around the globe.
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What is the difference between theme literature and motif literature?
Theme literature refers to the central idea or message that the author conveys through the story, while motif literature refers to recurring elements, such as symbols, images, or themes, that contribute to the overall meaning of the work. Themes are broader and more abstract concepts, while motifs are specific and concrete elements that help develop the theme. In essence, themes are the main ideas explored in a work, while motifs are the recurring patterns or symbols that support those ideas.
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